Suman Rasamalla

Years of Experience in Visual effects VFX Training

14

Years of Experience in Video Editing classes

14

Teaching Experience in detail in Video Editing classes

Dynamic and results-oriented professional with more than ten years of experience in Video Production and Editing, specifically with: In-depth knowledge of video production: editing techniques, video equipment and tools. Expertise in working with the latest video editing systems. Well versed with the latest video editing software available on the market. Ability to visualize script as narrated by script writers. Proficient in using Linear and Computerized video editing systems.

Years of Experience in Film Making classes

14

Teaching Experience in detail in Film Making classes

Highly-motivated narrative filmmaker with 10+ years of visual storytelling experience directing, filming, editing, and producing video content. Eager to bring a fresh perspective to Turner Media. Produced and directed an award-winning Short films for an independent film studio Have an extensive portfolio that demonstrates originality in everything from television series, short films, corporate videos, and commercials

Years of Experience in Color Grading classes

7

Teaching Experience in detail in Color Grading classes

Professional color grading applications have plummeted in price from six figures to zero. Meanwhile, accurate, grade-quality monitors have continued to remain expensive and out of reach. This bifurcation of technology has created a whole generation of people doing color work on video without the ability to evaluate the results on a properly calibrated display. First off, a caveat: it is a much better experience to color grade in an environment suited for accuracy with a color-calibrated display. The problem with color is that it is so hard to do right, and so easy to really screw You are not a trained colorist, yet your post-production pipeline requires you to play that role. This is especially true on the corporate, indie, and industrial end and for material that will live in the social media ecosystem. It’s not wrong, it’s just projects with deadlines and low budgets — how media is created now.